Like every weekend, the new film releases They flood a billboard that is increasingly closer to being an attractive showcase for the imminent awards season. Today, it stands out above all witch huntthe film starring Julia Roberts and directed by Luca Guadagnino that serves as a reflection on the post-metoo which had a mixed reception from the press specialized in the last Venice Film Festival. Next, we review the main cinematographic novelties that are available now in the stalls:
Produced by Sony Pictures y Amazon MGM Studiosthe plot of witch hunt puts us in the shoes of a university professor who finds herself in the middle of an extremely complex dilemma related to a alleged sexual abuse: You must believe your favorite student or your best friend within the profession. Meanwhile, a dark secret from his past threatens to come to light.
Manuel Gómez Pereira brings together a good number of well-known faces from national cinema to adapt the work of José Luis Alonso de Santos. A post-war comedy in which a group of Republican prisoners who are cooking experts, a meticulous maître d' and a young lieutenant must prepare an impeccable banquet for Franco.
It has taken too long to reach theaters, but we can finally take a look at the new Stephen King story that he adapts Mike Flanagan. Escaping from terror and focusing on the most vital aspect of the author, the plot revolves around three stories related to the character of Charles Krantzfrom his death to a childhood in a supposedly haunted house.
Directed and starring Daniel Guzman, The debt explores the problem of housing and gentrification in Spain, focusing on a middle-aged man and an elderly woman who live together in a central apartment in Madrid. When your home is acquired by a vulture fundThe man will try to get the money so they don't get evicted in a race against time.
It was the winner of the Palme d'Or at the last Cannes Film Festival. The Iranian filmmaker Jafar Panahi presents a thriller that begins with an apparently unimportant accident. But nevertheless, this awakens a whole series of consequences that increasingly pose a greater problem.
It is one of the cinematographic revolutions of 2025 within horror. Shot from a dog's perspectivethe story focuses on how he and his owner move to a new dream rural house. However, what begins as a positive change turns into a nightmare that only the protagonist's furry companion is aware of.
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