The most terrifying scary movies to have a marathon and celebrate a scary Halloween

It’s something that, personally, I don’t understand, but I respect, like almost everything. I am referring to those people who love to suffer, feel fear and panic. Those who have a great time with horror movies feel the adrenaline that certain situations provoke in them and have that morbid curiosity that can sometimes reach masochism. That said, as the most terrifying date of the year, Halloween, is approaching, for all those who identify with what I just said, I am going to make you a proposal for horror movies to celebrate the night of the dead as it should be.


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'Inmortal' is one of the series that you can watch in its entirety on Movistar Plus+

All the movies that I am going to put below, some classics, others newer, you have them all available on a single streaming platform, Movistar Plus+. So you can see them all at a modest price of 9.99 euros per month (tax included) and that can be half if you share the subscription, since you can watch content from different devices and locations. Also tell you that it does not have any permanence and that it is not necessary to be from Movistar neither in fiber nor in mobile. Can it be easier? I don’t think so.

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Horror movies, from classics to the latest

The Substance (2024)

A fading star, Elisabeth Sparkle, accepts a clandestine serum that promises to create a younger, perfect version of herself. But the substance triggers grotesque physical transformations and terrifying side effects that push her into body horror.

As Elisabeth struggles with her own alter ego and the limits of her identity, the ambition for perfection turns into a satirical nightmare. The director explores themes such as aging, beauty, ego and extreme consumption with a visceral and disturbing style. Finally, what seemed like a path to salvation becomes a descent into the monstrous, questioning how far one can go to “be better.”

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Longlegs (2024)

In the 90s, a rookie FBI agent, Lee Harker, receives the unsolved case of a serial killer who seems obsessed with the occult and the familiar. As Lee digs deeper, she discovers satanic symbols, sinister dolls, and a disturbing personal link between her and the criminal.

The investigation takes her to the edge of psychosis as the killer stalks her, manipulating fear more than the body. With ominous aesthetics and dense silences, the film examines the cultural fascination with murderers and the ritual of crime. In the end, the victim becomes internal conflict, and Lee must confront both the monster and his own mirror.

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Bitelchús Bitelchús (2024)

After a family tragedy, three generations of the Deetzes return to their former home in Winter River, where lies a portal to the Afterlife. Lydia, still marked by the events of the past, lives with her daughter Astrid, who discovers a mysterious model in the attic and inadvertently invokes the legendary demon Bitelchús. Chaos breaks loose when the name is pronounced three times and the specter arrives to laugh, terrify and unleash its own macabre party.

The director mixes black humor, gothic fantasy and eighties nostalgia to imagine what happens when the mischievous bioexorcist returns. The family must survive not only the demon, but the secrets they have kept buried between laughter and scares.

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Heretic (2024)

Two young Mormon missionaries, Sister Barnes and Sister Paxton, knock on the door of a lonely man named Mr. Reed, who expresses interest in their faith. What begins as a kind visit turns into a manipulative nightmare: Reed traps them, questions their belief, and subjects them to a hellish psychological game.

In a tense and claustrophobic environment, faith, reason and control intertwine in a terror that goes beyond physical shock. Hugh Grant plays Reed with a poisonous elegance that turns his house into an ideological prison. The film explores the extent to which believing can be an act of vulnerability and the extent to which questioning can be dangerous.

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The Silence of the Lambs (1991)

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FILM “THE SILENCE OF THE LAMBS” BY JONATHAN DEMME WITH ANTHONY HOPKINS

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FBI cadet Clarice Starling must meet with imprisoned cannibal and manipulator Dr. Hannibal Lecter to enlist his help in the hunt for another serial killer, Buffalo Bill. Bill kidnaps young women and performs horrific mutilations: the FBI school needs clarity and Lecter has the answers no one else has.

In a game of intelligence, fear and sex, Clarice delves into the recesses of the monster’s mind to catch the visible monster. The film redefines psychological horror by turning its “villain” into a mirror of the protagonist and the viewer. A classic that mixes criminal investigation, human horror and moral horror, where fear is not outside, but inside.

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The Shining (1980)

Shelley Duvall in 'The Shining'

‘The Shining’

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Jack Torrance takes a job as a winter watchman for an isolated hotel in the mountains, moving there with his wife Wendy and son Danny, who possesses extrasensory powers known as “the shining.” Little by little, the isolation, insomnia and the presence of supernatural forces at the Overlook Hotel cause Jack to lose all sanity and become a threat to his family.

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The atmosphere becomes oppressive, the endless hallways and the twins in the bathroom a symbol of contained madness. Kubrick turns terror into an experience of harrowing contemplation where the true monster is the human mind. A milestone in horror cinema that continues to resonate for its elegance, its symbology and its ability to disturb without resorting to easy scares.

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Thesis (1996)

Thesis

Thesis.

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Ángela, an Image and Sound student, is preparing her thesis on audiovisual violence and begins to research extremely violent films for her project. Under the tutelage of her teacher, she discovers a real recording of torture and murder, which plunges her into a world of snuff-movies and trafficking in ultraviolent images. With the help of a fellow gore fan, Ángela will try to reveal the authorship of the macabre video, but ends up trapped in the same nightmare she was investigating.

The film combines thriller, horror and reflection on the viewer who enjoys horror, and became director Alejandro Amenábar’s calling card. A disturbing look at the voyeurism of violent cinema and the danger of wanting to watch more than you can bear.

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Saw (2004)

A scene from the movie Saw

A scene from the movie Saw.

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Two men wake up chained in an abandoned bathroom next to a corpse; one of them learns that they are part of the macabre game of a murderer known as “Jigsaw.” The game consists of brutal tests where survival depends on the participants making extreme and painful decisions. As the tension rises, the characters discover that everything is connected and that someone else is watching them and manipulating their every move.

The final twist reveals that what seemed like an improvised rescue was part of the plan from the beginning. The film redefines torture horror with rules, twisted morals, and a claustrophobic atmosphere. A shocking phenomenon that opened a saga and changed the way modern horror was seen.

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Carrie (2013)

A scene from the 2013 film Carrie

A scene from the 2013 film Carrie.

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Carrie White is a shy teenager, oppressed by her ultra-religious mother, who discovers she has telekinetic powers after a public humiliation at school. While awaiting prom night, her classmates ridicule her, causing Carrie to lose control and unleash a bloody supernatural vendetta.

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In an explosion of rage and power, what was fear turns to devastation and everyone pays the price for his cruelty. The adaptation of Stephen King’s classic evokes the fear of what is different, harassment and the explosion of contained power. A modern vision that connects adolescent psychology with the visceral horror of superpower.

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Annabelle (2014)

The diabolical doll protagonist of

The devilish doll protagonist of “Annabelle”

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John and Mia Form receive a vintage doll named Annabelle as a gift to celebrate the arrival of their first baby, but they soon discover that the doll is the epicenter of a malevolent presence linked to a satanic cult. From that night on, domestic life transforms into a nightmare: inexplicable crimes, invisible possession and terror that inhabits everyday life.

The film mixes the familiar with the demonic, exploring the horror that infiltrates the home. This spin-off of The Conjuring saga uses the doll as a vector of primary fear and effectively revives childhood terror. A classic warning: never underestimate the gift you receive.

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Halloween Night (1978)

A scene from the movie Halloween Night (1978)

A scene from the movie Halloween Night (1978).

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On Halloween Eve, the psychopath Michael Myers escapes from the sanatorium and returns to Haddonfield, the town where as a child he murdered his sister years ago. While Dr. Loomis attempts to track him down, Myers silently stalks student and babysitter Laurie Strode during a day that turns tricks and treats into pure terror. John Carpenter weaves a minimalist slasher with an oppressive atmosphere, hypnotic music and a clinical look at the evil that breaks into everyday life.

The film establishes the figure of the “Boogeyman” without moral explanation, an unstoppable predator whose masked face is already an icon of the genre. With the pulse of a thriller and the economy of resources of an indie, Myers’ night hunt turns the suburbs into a labyrinth of suspense. The film inaugurates a legendary franchise and sets the standard for the modern slasher, with Laurie Strode as the definitive heroine.

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