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Isabelle Carré transposes her personal story into this beautiful film on the mental health of young people

Tessa Dumont Janod and Mélissa Boros in “Les Rêveurs”, by Isabelle Carré.

Tessa Dumont Janod and Mélissa Boros in “Les Rêveurs”, by Isabelle Carré. CHRISTINE TAMALET


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Invited to lead a workshop in the psychiatry department of the Necker-Enfants Malades hospital in Paris, an actress remembers. In the mid-1980s, she was interned within these walls, battered by a bundle of family neuroses and a devastating heartbreak. Isabelle Carré adapts her book, autobiographical, published in 2018, and manages to transpose into her staging what makes her temperament as an actress: playing on the ambiguity conveyed by her graceful and melancholic presence (eruptions of anger, untimely depression, luminous charm of the timid) through a very simple, very frontal formal approach, where poetic sketches and other suspended moments find all the more their place as they arise without force and come from afar. A very beautiful actress film.


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