Site icon Roadtripsfortherockstars

body horror ‘The Ugly Stepsister’ wins best film

The ugly stepsisterthe goriest version of Cinderella, has won the award for best film at the 58th edition of the Sitges Festival. Emilie Blichfeldt’s film has received the greatest recognition this year, taking the baton of When evil lurks (2023) y The devil’s bath (2024).

He jury failed towards him body horror of the Norwegian director, counting among her members Official Competition Section (SOFC) con Peter Chan (director of Dragon), Mary Harron (director of American Psycho), Laura Pedro (special effects supervisor of The snow society), Hernan Findling (director and producer of Fermín, glories of tango) y Jovanka Vuckovic (director of Riot Girls).

Among the recognitions of this 58th edition we also find the special jury prize for two mass phenomena, the dangerous romance of Obsession (which also won the Youth Card and Audience Awards) and the martial arts film The Furious; while the best address has ended up in the hands of the incomparable Park Chan-wook (Oldboy), with the applause No Other Choice.

Special mention also for the male cast in full of The Plague and the Hollywood actress Rose Byrne (If I could, I would kick you), who already sounds even in the pools for the Oscars. Among the big winners we also find films like A useful ghost (best script), The Virgin of Tosquera (best photography), Exit 8 (best original music) and Honey Bunch (better special effects).

Sitges Festival

  • Best movie: ‘The Ugly Stepsister’, by Emilie Blichfeldt
  • Special jury award: Former aequo for ‘thhe furious’ (from knji Tanigaki) and ‘obsession’ (from barker)
  • Best address: ‘No Other Choice’, de Park Chan-wook
  • Best Female Performance: Rose Byrne for ‘If I Could, I’d Kick You’
  • Best Male Performance: the cast of ‘The Plague’
  • Best script: Ratchapoom Boonbunchachoke for ‘A Useful Ghost’
  • Best photography: Diego Tenorio for ‘The Virgin of Tosquera’
  • Best music: Yasutaka Nakata y Shohei Amimori por ‘Exit 8’
  • Best S: Tenille Shockey and François Dagenais for ‘Honey Bunch’

NEW VISIONS

  • Mejor largometraje: ex aequo para ‘Lesbian Space Princess’ (de Emma Hough Hobbs y Leela Varghese) y ‘The True Beauty of Being Bitten by a Tick’ (de Pete Ohs)
  • Best direction: ex aequo for ‘A Grand Mockery’ (by Adam C. Briggs and Sam Dixon) and ‘Transcending Dimensions’ (by Toshiaki Toyoda)
  • Best Short Film: ‘Monstruo Obscura’, by Hong Seung-gi

BLOOD WINDOW /ÒRBITA

  • Best Blood Window film: ‘Don’t leave the children alone’, by Emilio Portes
  • Best Òrbita film: ‘The Forbidden City’, by Gabriele Mainetti

MÉLIÈS D’OR

  • Méliès de Oro for best film: ‘Mr. K’ by Tallulah H. Schwab
  • Golden Méliès for best short film: ‘Don’t Be Afraid’, by Mats Udd
  • Méliès d’Argent for best film: ‘Feels Like Home’, by Gábor Holtai
  • Méliès d’Argent for best short film: ‘The Phantom of the Fifth’, by James A. Castillo

THE SOUL

  • Best feature film: ‘Lesbian Space Princess’, by Emma Hough Hobbs and Leela Varghese
  • Best short film: ‘Luz diabla’, by Gervasio Canda, Paula Boffo and Patricio Plaza

BRIGADOON

  • Brigadoon Paul Naschy Award for Best Short Film: ‘Floor’, by Jo Bareun

CRITICISM

  • José Luis Guarner Critics’ Award for best feature film in the Official Selection: ex aequo for ‘The Life of Chuck’ (by Mike Flanagan) and ‘Reflection on a Dead Diamond’ (by Hélène Cattet and Bruno Forzani)
  • Citizen Kane Award for New Director: Ratchapoom Boonbunchachoke for ‘A Useful Ghost’
  • SOFC Best Short Film Award: ‘The Man That I Wave At’, by Ben S. Hyland

YOUTH CARD

  • Best Film Official Selection in Competition: ‘Obsession’, by Curry Barker
  • Best Sitges Documenta Film: ‘Endless Cookie’, by Peter Scriver and Seth Scriver

SGAE NEW AUTHORITY

  • Best direction: ‘Furia’, by Fran Moreno Blanco and Santi Pujol
  • Best script: ‘Furia’, by Fran Moreno Blanco and Santi Pujol
  • ​Best original music: ‘Matcha’, by Sergio Rojas

PUBLIC

  • SOFC Audience Award: ‘Obsession’ by Curry Barker
Exit mobile version