After The Hunt dominates the Italian box office – Last hour

After The Hunt is the best grosser of this last weekend – not particularly rich – at the Italian box office even if it recovers 3.4 percent on the last one, but without titles that have exceeded one million euros in 417 cinemas. Luca Guadagnino’s film starring Julia Roberts, Ayo Edebiri and Andrew Garfield, presented at the last Venice Film Festival and distributed by Eagle, collected 619,758 euros with an average of 1,486 euros according to Cinetel data.


The new film with Julia Roberts and Andrew Garfield, however, does not achieve the best average per theater which goes to fourth in the ranking, the other debutant The Black Phone 2 which conquers 1,554 euros in 283 locations (in the USA it is at the top of the box office with 26.5 million ed.) It only loses 12 percent in its second week Three bowls which, with another 555 thousand euros is in second position reaching a total of 1.4 million euro, the best Italian takings of the current film season which began last August. In third place we find the overwhelming One Battle After Another which, in its fourth week, holds up with a total of 4.4 million euros, the best takings in Italy by director Paul Thomas Anderson.


Directly from the ongoing Rome Film Festival, Per te by Alessandro Aronadio arrives in fifth position, earning 379 thousand euros with one day less of programming, was released on Friday after the festival presentation with a good average per copy of 1,005 euros in 377 theaters.


The cities of the plain, in seventh position (but with the fourth best average per copy) in the fourth week (the first saw a release only in the Triveneto) lost only 12 percent for a total of 815 thousand euros. While Tron is already at the end of the race: Ares in sixth place with a total of 1.1 million euros in two weeks. Eddington by Ari Aster is in eighth place with 144 thousand euros.


Speaking of festivals, Beloved by Elisa Amoruso with Tecla Insolia, Miriam Leone and Stefano Accorsi, presented last September at the Giornate degli Autori in Venice, debuted in ninth position with only 139 thousand euros and almost the worst average per theater in the ranking, 422 euros in 330 cinemas. The Professor and the Penguin closes the Top Ten in tenth place in its second week with 376 euros in 234 theaters.

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