Weekend box office: You haven’t changed, live a second youth

While several entries did not reach us due to the November 11 bridge, the release of Studiocanal takes the lead in a top 10 accusing the backlash of the start of the school year.

Ranking made with estimates of The richest woman in the world et Yoroi.

Nice start for You haven’t changed with 215,000 entries for a solid average of 25 entries per session (e/s). Jérôme Commandeur’s comedy gets off to a start in line with his previous production, Irreduciblewhich completed its first weekend with 241,000 spectators for 22 e/s… but was released the week of the 2022 Film Festival. More recently, It was better tomorrowanother generational comedy invoking the laws of time, launched with 168,000 tickets for 19 e/s.

Box-office 1er jour : Predator : Badlands et You haven’t changed neck and neck

179,000 spectators went to discover Predator : Badlandsfor 17 i/s. A much lower start than those of Alien : Romulus (384,000 entries for 33 i/s) and Quietly: Day 1 (259,000 entries for 24 e/s), but in line with a Madame Web (172,000 entries for 17 I/O) or Nope (166,000 entries for 17 i/s). This is a result generally lower than the last major American titles released on the Wednesday back to school on All Saints’ Day: in 2023, The Marvels garnered 333,000 entries for 26 i/s, while Black Panther : Wakanda Forever peaked at 1.5 million spectators for 99 fps.

Also read | Box-office US : Predator : Badlandsa record roar

-41 % pour The richest woman in the world which sells 154,000 tickets for 24 e/s. Thierry Klifa’s dramatic comedy has totaled 482,000 admissions, and is already Haut et Court’s fifth biggest success – except for films screened during school screenings –, between The Night of the 12th (545 000) et Drunk (455 000).

If, like all continuations, The Stranger gets damaged by the start of the school year, Gaumont’s stock only shows a drop of 39%, although helped by a 2% increase in its sessions. François Ozon’s new production achieves 119,000 entries for a cumulative total of 375,000, a result slightly higher than the 356,000 at the same stage of production. When autumn comesthe filmmaker’s previous film. My crimeits 2023 vintage, was at 645,000 after two weekends, but had benefited from almost 10,000 additional sessions.

Fate is less favorable to Kaamelott – Second part (part 1) which attracts 93,000 spectators for 11 e/s. With 869,000 admissions in three weekends, the SND title is far behind the 1.8 million of the first part. Latest novelty in the ranking, The Unknown of the Grande Arche sells 67,000 tickets for 20 e/s. This is a slightly lower start than Borgo (72,000 entries for 22 i/s) and one notch below The Girl with the Bracelet (101,000 admissions for 29 e/s), the previous films of Stéphane Demoustier.

Note, outside of the classification, the still very good performance of Sacred Heartthe best observed among the continuations, which achieves 39,000 entries (-21%) for 30 e/s. On the new side, Sow and harvestat Les Films d’Avalon, attracted 1,512 spectators for an excellent average of 58 e/s. A result supported by the presence of director Éric Le Roch who accompanied the vast majority of the 26 screenings of the film. Finally, at Orawa Prod, the documentary Defenders of Christ gets a solid average of 27 i/s, for 5,900 entries.

Cumulative entries from November 5 to 9, 2025: