Cinema Column | Diane Keaton’s Best Films







Por Jessie Lodi

October 17, 2025 | Updated October 17, 2025

A tribute to the elegance, humor and free soul of Hollywood. Few actresses have managed to combine charm, vulnerability and authenticity like Diane Keaton.

Since it appeared in cinema American in the 1970s, she brought something that the public was not used to seeing: a woman of genuine gesturesof fast speaking e contagious laughterwhich could be funny, intelligent, confusing and charming at the same time.

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With her unmistakable style, masculine suits, hats, scarves and a slight eccentricity, Diane redefined what it meant to be a female protagonist. She never tried to fit into molds. He made spontaneity his brand, and his vulnerability, his strength.

Her trajectory will continue to inspire generations of artists and spectators who recognized her as a soul friend: sensitive, funny, and eternally curious about love, time and human imperfections. Diane Keaton has always been synonymous with authenticity. Her career is a tribute to the courage to be different, the beauty of imperfections and the power of laughter, even in the face of sadness. In comedic or dramatic roles, she conveyed something deeply human: the desire to understand love and time without losing lightness. Check out five of the actress’s films:

Neurotic Groom, Nervous Bride: A Jewish and divorced comedian who has been analyzing for fifteen years, falls in love with Annie Hall, a singer at the beginning of her career with a slightly complicated head. Soon they decide to live together, but marital crises begin to appear and affect their feelings. The film won Keaton an Oscar for Best Actress and turned Annie into an icon of the world. cinema modern, mixing humor, melancholy and New York charm. Year 1977. Director: Woody Allen. Romantic Comedy / Drama. 1h33min. For rent on Prime Video and Apple TV.

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The Godfather: As Kay Adams, Keaton plays the woman who tries to understand and resist the mafia logic that surrounds her husband, Michael Corleone (Al Pacino). Even amid the violence and coldness of family business, Diane brought humanity and fragility to the epic saga of power, loyalty and corruption. Year 1972. Director: Francis Ford Coppola. Drama/Crime. 2h55min. Available on Paramount+.

Someone Has to Give In: When Harry Sanborn (Jack Nicholson), an aging man, and his young girlfriend Marin arrive at his family’s beach house in the Hamptons, they discover that her mother, playwright Erica Barry (Diane Keaton), also intends to stay for the weekend. Erica is scandalized by Harry’s relationship and machismo. However, when Harry has a heart attack and a doctor prescribes bed rest at Barry’s house, he falls in love with Erica. Year 2003. Director: Nancy Meyers. Romantic Comedy / Drama. 2h08min. Available on Prime Video and Apple TV.

Reds: American journalist John Reed (Warren Beatty) travels to Russia to document the Bolshevik Revolution and returns a revolutionary. His fervor for left-wing politics leads him to Louise Bryant (Diane Keaton), then married, who would become a feminist icon and activist. At home, the political differences between Reed’s ideals and reality cause problems. Bryant dates a cynical playwright and Reed returns to Russia, where his health worsens. Year 1981. Director: Warren Beatty. Historical drama/Political romance. 3h15min. For rent on Apple TV.

The Father of the Bride: Alongside Steve Martin, Diane Keaton enchants as Nina Banks, mother of the bride in a story full of humor, tenderness and nostalgia. The film won over 1990s audiences and remains a family classic, showing the actress in her sweetest, most welcoming register. Year 1991. Director: Charles Shyer. Comedy/Family. 1h45min. Available on Disney+.

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Reviewing his films is rediscovering a piece of cinema that mixes truth, vulnerability and style. Diane Keaton will forever be remembered as the woman who made the world laugh, think and love, exactly the way she was: unique.

What is your favorite film by the actress? Tell me on social media @jessielodi and send topic suggestions to email (email protected).

You can also follow analyzes and news on the CINEGIRLS PODCAST, available on YouTube.

See you next week!

Top photo: Frame from the film Someone’s Gotta Give – Columbia Pictures Disclosure